The Sign Language
In the series *semiotic abstraction I focused on character imaging. At the time of the digitization of our lives and emotions, these features play a significant role, which in my view is accompanied by communication through short text messages. In them they hide our whole essence. It is abstract because the font is abstract, thinking is also abstract. The system I work with is not programmatic but intuitive. Ie. For example, in the image XO (below), I depict the physical experience of a kiss and a hug, but its form is abstract, and so when an observer is not familiar with the sign's meaning, he can only appreciate significant gestational abstraction. I am just suggesting a process of thinking about this series.
She called me today
2018, oil and glitter on canvas
140 x 190 cm
Fan I.
2019, olej a gliter na plátně
100 x 150 cm
Fan II., III.
2019, Oil on canvas
230 200 cm, 20 x 25 cm
ZOO
2019, Oil and glitter on canvas
100 x 120 cm
ZOO I., II.
2019, oil and glitter on canvas
200 x170 cm, 25 x 20 cm
BDC
2019, Oil and glitter on canvas
200 x 150 cm, 40 x 30 cm
Euroz, Dollaz, Yeniz
2019, oil and glitter on canvas
180 x 140 cm
Centre VS Periphery
2019, oil and glitter on canvas
140 x 200 cm
Center VS Periphery
2019, Oil and glitter on canvas
150 x 100 cm
Kiss and Hug (XO)
2018, oil and acrylic on canvas
120 x 100 cm, 120 x 100 cm
XO (kiss and hug)
2017, oil on canvas
140 x 200 cm
The star AXU
Robert Runtak collection
2016, oil on canvas, bottle painting
100 x 150 cm
Untitled I., II., III.
2017, oil on canvas
a 60 x 50 cm
The Character morphology
private collection
2017, oil on canvas, bottle painting
100 x 150 cm
Wide field of interpretation
2017, oil on canvas, glitter
130 x 200 cm
The Basic skills
2017, oil on canvas
100 x 90 cm
GO GO Green
2017, oil on canvas, glitter
150 x 100 cm
Colors and shapes
Series of 11 image shown colored shapes, created on the basis of mental automatism author's technique of painting with bottles. Each resulting shape is reasonably imputed specific color and influence independently on the viewer. In interpreting this epistemological study the viewer, for example, can see on comparisons between similar shapes No.7 and No.8, where we can see a mirror image of semi-circular colored (colored opposition). All of them are made entirely as one serie.
2016, oil on paper, coated on MDF
11ks, 40 x 30 cm